|Cameron Davis||Emiko Sawaragi Gilbert|
|Janet Fredericks||Riki Moss|
|Linda E. Jones||Janet Van Fleet|
The work was installed in a raw industrial space: high ceilings, exposed pipes, minimal electricity, gray concrete floors, large windows looking out on a busy traffic circle. Lighting was crude. At night, the artwork was washed by car headlights, adding another layer - that of the city, to the story.